Plenty of laughs.
— BroadwayWorld
Giddying. Wondrous.
— SF Chronicle
Outlandishly delicious.
— Talkin' Broadway

King James

WORLD PREMIERE

Mar 5–30, 2025

Book, Music, and Lyrics by MIN KAHNG
Directed by JEFFREY LO
Music Direction and Orchestrations by WILLIAM LIBERATORE

Happy Pleasant Valley is a co-production with Center Repertory Company.

A risqué romp of a musical for the digital age, this joyful mystery brims with laughter and erupts with infectious song. The fun is ageless in this tale of a Gen Z “influencer” whose tenacious Korean American grandmother has much to teach her about life, sex, and murder in a senior citizens home you will never forget. Redefining “active living” in the golden years, this hit from our 2023 New Works Festival explodes social taboos around aging while celebrating intergenerational connection.


Happy Pleasant Valley has an estimated runtime of two hours and forty-five minutes and includes one fifteen-minute intermission.

Happy Pleasant Valley is the recipient of a Kurjan/Butler commission from TheatreWorks Silicon Valley.

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Photos: Kevin Berne, 2024

Special Events & Accessible Performances

Join TheatreWorks for a pre-show discussion with TheatreWorks Artistic Director Giovanna Sardelli and an artist from the production. In this free event, peer behind the scenes and learn more about the process of bringing Happy Pleasant Valley: A Senior Sex Scandal Murder Mystery Musical to life.
  • Thursday, March 6, 2025 @ 6:30 – 7:15 pm (in the lobby)
  • Wednesday, March 12, 2025 @ 7:30pm
  • Wednesday, March 26, 2025 @ 7:30pm
  • Saturday, March 29, 2025 @ 8pm
  • Sunday, March 30, 2025 @ 2pm
  • Sunday, March 23, 2025 @ 2pm
  • Sunday, March 23, 2025 @ 7pm
  • Wednesday, March 26, 2025 @ 2pm
  • Tuesday, March 18, 2025 @ 7:30pm
  • Friday, March 14, 2025 @ 8pm
  • Saturday, March 15, 2025 @ 2pm
  • Sunday, March 23, 2025 @ 2pm
One of the funniest and most moving plays about friendship in years.
— TheaterMania
One of the funniest and most moving plays about friendship in years.
— TheaterMania
One of the funniest and most moving plays about friendship in years.
— TheaterMania

Cast

RINABETH APOSTOL*

RINABETH APOSTOL (Ensemble) returns to HPV after appearing in the 2023 New Works Festival reading. TheatreWorks credits include The Four Immigrants, Red, and numerous festivals. 2024 projects include world premieres of God Will Do the Rest (Artists at Play/LATCo), The Newlywed Game (B Street), My Home on the Moon (SF Playhouse), and Cry It Out (CapStage). Other credits: American Conservatory Theater, Actors Theatre of Louisville, Seattle Rep, California Shakespeare Theater, Magic Theatre, Marin Shakes, San Jose Stage, Arizona Theatre Co., East West Players, Skirball Center for the Arts, and Berkeley Rep Ground Floor, among others. Proud member AEA, SAG-AFTRA. For Mommy, Ninang Melly and Mama Beth. @rbdtwo | rinabeth.com 

JACQUELINE DE MURO*

JACQUELINE DE MURO (Bernice) appeared in TheatreWorks’ A Little Night Music, Pacific Overtures, Joy Luck Club, Kiss of the Spiderwoman, Into the Woods, and the NWF reading of HPV. Other favorite local productions include Hillbarn’s Anastasia, New Conservatory Theatre Company’s Ruthless!, Broadway by the Bay’s The King And I and Thoroughly Modern Millie, Palo Alto Players’ City Of Angels and The Baker’s Wife, Busbarn’s And The World Goes Round and Baby, 42nd Street Moon’s Grand Night For Singing, Ohlone Stage’s Man Of La Mancha, and Foothill Theatre’s South Pacific, for which she won a Bay Area Theatre Critics Award.

MICHAEL PATRICK GAFFNEY*

MICHAEL PATRICK GAFFNEY (Ensemble, U/S Mort) has been working as an actor in the Bay Area for almost 30 years, and is honored to be a part of this world premiere after appearing in the 2023 New Works Festival reading. Other regional theatre credits include: Center Rep, Shotgun Players, Aurora Theatre Company, San Jose Stage Co., Word for Word, Contra Costa Musical Theatre, and 42nd Street Moon. Michael has been a proud member of Actors’ Equity Association since 1997.

CINDY GOLDFIELD*

CINDY GOLDFIELD (DeeDee) last appeared at TheatreWorks in In Every Generation, and Another Midsummer Night. Regional credits include American Conservatory Theater, CenterREP, San Jose Rep, Broadway by the Bay, Marin Theatre Co., and 42nd Street Moon. New York credits: D’Arcy Drollinger’s Project: Lohan and Mr. Irresistible at La MaMa Experimental Theatre Club. Cabaret credits include collaborations with Scrumbly Koldewyn (Goldfield & Koldewyn) and David Aaron Brown (One Night Stand.) In addition to her performing credits and awards, Goldfield has two Theatre Bay Area awards for Best Direction. For EGG, always. Love to Mom, J, C and W.

LUCINDA HITCHCOCK CONE*

LUCINDA HITCHCOCK CONE (Vicki) appeared at TheatreWorks in Mrs. Christie, Sense and Sensibility, Pride and Prejudice, Tuck Everlasting, Outside Mullingar, Big River, Clean House, Ragtime, and Cabaret. Other credits include Death of A Salesman and Grand Horizons at San Jose Stage, Follies at San Francisco Playhouse, the National Tour of Big River, and appearances at Hartford Stage, Arizona Theater Co., Indiana Rep, Portland Stage, Syracuse Stage, the Geva, St. Louis Rep., Folger Theater, American Conservatory Theater, Berkeley Rep., San Jose Rep., Aurora Theater, Marin Theater Co.,  42nd Street Moon, and PCPA, among others. She has four Bay Area Critics Circle Awards and a DramaLogue Award, and studied Mime in Paris with Etienne Decroux.

EMILY KURODA*

EMILY KURODA (June) appeared in TheatreWorks’ Tiger Style!, The Language Archive, and Calligraphy. Other credits include  South Coast Rep, New York Theatre Workshop, Atlantic Theater, Yale Rep, Pan Asian, American Rep, Page 73, Actors Theater of Louisville, Huntington Theater, Artists at Play, Alliance Theater, Sundance Theater Lab, East West Players, Kirk Douglas, Mark Taper Forum, Public Theater, La Jolla Playhouse, Seattle Rep, Singapore Rep, Berkeley Rep, The Doolittle, LATC, Zephyr, LA Women’s Shakespeare Company, and the Los Angeles Shakespeare Festival.  Selected TV:  Mrs. Kim in Gilmore Girls, Baymax, All Rise, The Good Doctor, The Resident, Drop Dead Diva, Sequestered, and Amazon’s The Power.  Film:  Flowervale Street with Anne Hathaway,   Strange World, Kimi, Porcupine, Take the 10, Party Boat, Red, Yellow Face, and The Sensei.

MILLER LIBERATORE

MILLER LIBERATORE, they/them (Dean) is also an Assistant Director on this show. Previously, they played Joe/Jimmy Dean (5 & Dime) in the 2024 TheatreWorks New Works Festival, and after HPV they’ll be in L.A.S.C.’s Cyrano. They directed/produced/hosted the Portland Trans Voices Cabaret 2023 after assistant–directing/producing the 2022 edition. Liberatore assistant–directed The Cherry Orchard with P.E.T.E. and worked as an alumnus composer/musical performer for Barnard’s Sonic Life. Offstage, they direct/teach children’s theatre and help kids apply to college (www.MillerCAC.com). Liberatore graduated cum laude from Barnard College/Columbia University with two degrees: sociology (gender/sexuality thesis) and theatre (directing thesis). 

SOPHIE ODA*

SOPHIE ODA (Jade) is thrilled to return to TheatreWorks after Miss Bennet, Jane Eyre, A Little Princess, Pacific Overtures, and The Joy Luck Club. Other credits include The 25th Annual Putnam County Spelling Bee at San Jose Rep, Miss Saigon at Sacramento Music Circus, Into the Woods at the Claire Trevor, and Flower Drum Song at San Gabriel Playhouse. Sophie was a recurring character on Disney’s The Suite Life of Zack & Cody, and has appeared on The Big Bang Theory, Hawaii Five-0, NCIS:LA, Robot Chicken, Amethyst Princess of Gemworld. Sophie has a collection of audiobook narrations on Audible and is UC Irvine BFA graduate. Thank you to my family for their homemade lunches and endless support.

DANNY SCHEIE*

DANNY SCHEIE (Mort) previously appeared at TheatreWorks in The Fourth Wall, and directed As Bees in Honey Drown and Wild With Happy, written by and starring Colman Domingo.  He has acted regularly at American Conservatory Theater, Berkeley Rep, California Shakespeare Theater, and South Coast Rep, as well as playing roles at Arena Stage (DC), Folger Theatre, The Old Globe in San Diego, Yale Rep, Trinity Rep, Asolo Rep, Arizona Rep, Center Rep, Pasadena Playhouse, Magic Theatre, Aurora Theatre, Theatre Rhinoceros, Z Space, and Marin Theatre Co., among others. He holds a PhD in Dramatic Art from UC Berkeley. 

MELISSA MEI JONES

MELISSA MEI JONES, she/her (U/S June, Ensemble) is delighted to return to TheatreWorks after understudying In Every Generation (Devorah). Credits elsewhere: 19 seasons with Silicon Valley Shakespeare, including King Lear (Edmund), the title role in The White Snake, Hamlet (Gertrude), and The Comedy of Errors (Dromio of Syracuse); Palo Alto Players’ The Music Man (Alma Hix) and Men on Boats (William Dunn); South Bay Musical Theatre’s Singin’ in the Rain (Lina Lamont); and City Lights Theater Company’s Vietgone (Huong, et al.) and Nora: A Doll’s House (Nora 2/Christine 1). Up next, she’ll be playing Feste in Shaina Taub’s musical Twelfth Night at Los Altos Stage Company. 

LEE ANN PAYNE

LEE ANN PAYNE (U/S DeeDee, Vicki, & Bernice) choreographed TheatreWorks’ The 25th Annual Putnam County Spelling Bee, and appeared in TW’s A Driving Beat, Emma, Norman Rockwell’s America, and Josephine. She was the Co-Choreographer for The Snow Queen at the New York Musical Festival. Locally, she has choreographed for 42nd Street Moon, Jewel Theatre, Hillbarn Theatre, and Palo Alto Players among others. She won a TBA Award for her choreography for Hillbarn Theatre (Anything Goes), along with the Bay Area Theatre Critics Circle for the overall production. Ms. Payne holds an MFA in Musical Theater from San Diego State University, teaches dance at Zohar School of Dance, and moonlights as the CFO of Montalvo Arts Center.

LEE ANN PAYNE

LEE ANN PAYNE (U/S DeeDee, Vicki, & Bernice) choreographed TheatreWorks’ The 25th Annual Putnam County Spelling Bee, and appeared in TW’s A Driving Beat, Emma, Norman Rockwell’s America, and Josephine. She was the Co-Choreographer for The Snow Queen at the New York Musical Festival. Locally, she has choreographed for 42nd Street Moon, Jewel Theatre, Hillbarn Theatre, and Palo Alto Players among others. She won a TBA Award for her choreography for Hillbarn Theatre (Anything Goes), along with the Bay Area Theatre Critics Circle for the overall production. Ms. Payne holds an MFA in Musical Theater from San Diego State University, teaches dance at Zohar School of Dance, and moonlights as the CFO of Montalvo Arts Center.

MICKEY SKINNER

MICKEY SKINNER (U/S Dean & Jade) is a disabled trans performer who is so excited to work with TheatreWorks! They just closed Cuckoo Edible Magic (Worker, U/S Ren) with SFBATCO and were part of TheatreWorks’ reading of 5 & Dime (stage directions). NYC credits include new works such as A Brand, A Lifestyle (Ana) by Katherine Alberta, new musical SCOUTS (Tammy Grace Wiley), Peter Pan (Smee/Slightly) revised by Larissa Fasthorse and directed by Lonny Price. Bay Area credits include Legally Blonde (Enid Hoopes) at Ray of Light, Spring Awakening (Moritz Stiefel) at Pacifica Spindrift Players, Anastasia (Marfa/Maria Romanov) at Hillbarn Theatre. IG: @mickeyhskinner 

JOMAR TAGATAC*

JOMAR TAGATAC (Male Understudy)

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

CREATIVE TEAM

MIN KAHNG, Book, Music, & Lyrics

MIN KAHNG (Book, Music, & Lyrics) is an award-winning playwright, composer and lyricist whose previous works include The Four Immigrants: An American Musical Manga (Bay Area Theatre Critics Circle Award, Edgerton New Play Award, Theatre Bay Area Award), Where the Mountain Meets the Moon, GOLD: The Midas Musical, The Song of the Nightingale, and The Adventures of Honey & Leon. Kahng is a MacDowell Fellow, a Travis Bogard Fellow, and an alumnus of the Playwrights Foundation Resident Initiative, Berkeley Rep’s Ground Floor, and Djerassi. He is also an NEA Grant Recipient, a Jonathan Larson Grant Finalist, a Richard Rodgers Award Finalist, and a Dramatists Guild committee member. minkahng.com

JEFFREY LO, Director

JEFFREY LO (Director) is a Filipino-American director and playwright, and TheatreWorks’ Associate Producer of Casting and Literary Management. Directing credits include TheatreWorks’ Miss Bennet, Tiger Style!,Little Shop of Horrors, The Language Archive, and The Santaland Diaries, as well as Vietgone and The Great Leap at Capital Stage, The Glass Menagerie and Chinglish at San Francisco Playhouse, and Bald Sisters and Between Riverside and Crazy at San Jose Stage Co. Awards include the Leigh Weimers Emerging Artist Award, the Arts Council Silicon Valley Emerging Artist Laureate, and Theatre Bay Area Director’s TITAN Award. Mr. Lo does work nationally promoting equity, diversity, and inclusion in the arts. He is a graduate of the multicultural Arts Leadership Institute and a proud alumnus of the UC Irvine Drama Department. JeffreyWritesAPlay.com

WILLIAM LIBERATORE, Music Director & Orchestrations

WILLIAM LIBERATORE (Musical Director and Orchestrations) has conducted fifty TheatreWorks shows, including Fun Home, Sweeney Todd, Once on This Island (TBA Award), Little Women, Ragtime, and Pacific Overtures. He also conducted 35 shows as Musical Director at AMTSJ, and won Bay Area Theatre Critics Circle Awards for A Little Night Music, South Pacific, Damn Yankees (AMTSJ), Bat Boy: The Musical; Into the Woods; Emma; Caroline, or Change; The Light in the Piazza; The Four Immigrants; The Bridges of Madison County; and Ragtime (TheatreWorks). He is the director of the award-winning Gunn High School Choirs and the recipient of the 2023 Tall Tree Award as the Outstanding Professional in Palo Alto. 

LEE ANN PAYNE, Choreography

LEE ANN PAYNE (Choreography) choreographed TheatreWorks’ The 25th Annual Putnam County Spelling Bee, and appeared in TW’s A Driving Beat, Emma, Norman Rockwell’s America, and Josephine. She was the Co-Choreographer for The Snow Queen at the New York Musical Festival. Locally, she has choreographed for 42nd Street Moon, Jewel Theatre, Hillbarn Theatre, and Palo Alto Players among others. She won a TBA Award for her choreography for Hillbarn Theatre (Anything Goes), along with the Bay Area Theatre Critics Circle for the overall production. Ms. Payne holds an MFA in Musical Theater from San Diego State University, teaches dance at Zohar School of Dance, and moonlights as the CFO of Montalvo Arts Center.

ARNEL SANCIANCO, Scenic Design

ARNEL SANCIANCO (Scenic Design) is an award-winning set designer with a nationally recognized portfolio, and made his Bay Area debut with TheatreWorks’ Tiger Style! He’s currently the scenic design lecturer at UC Berkeley. His credits include productions at La Jolla Playhouse, The Old Globe, Oregon Shakespeare Festival, The Muny, American Conservatory Theater, The Huntington, Goodman Theatre, Denver Center for the Performing Arts, Steppenwolf Theatre Company, The Kennedy Center, Woolly Mammoth, Writers Theatre, Repertory Theatre of St. Louis, Arizona Theatre Company, Court Theatre, American Players Theatre, Milwaukee Rep. For an in-depth look at his work visit ArnelDesigns.com  or follow his work on Instagram @ArnelDesigns

JILL C. BOWERS, Costume Design

JILL C. BOWERS (Costume Design) is TheatreWorks’ Costume Director, and has designed 45 shows for TheatreWorks since 1986, including Mark Twain’s River of Song, Marie and Rosetta, Constellations, Fire on the Mountain, The Lake Effect, Marry Me A Little, The Mountaintop, Opus, Doubt, Into the Woods (2005), Heart Land (world premiere), Under Milk Wood, and Into the Woods (1990—Bay Area Theatre Critics Circle Award). Recently, she designed costumes for Tiny Beautiful Things and Significant Other at Los Altos Stage Company. She holds an MFA in Design from University of Minnesota and a BA in Theatre and Communication from University of Michigan.

KURT LANDISMAN, Lighting Design

KURT LANDISMAN (Lighting Design) previously designed TheatreWorks’ Tiger Style!, In Every Generation, The Joy Luck Club, Once On This Island, and The Heidi Chronicles which received the BATCC Award for Best Lighting Design. Bay Area credits include American Coservatory Theater, San Jose Rep, San Francisco Opera, Berkeley Rep, Marin Theatre Co., Center Rep, Magic Theatre, and many others. His 45 years of lighting design include the premieres of Sam Shepard’s True West as well as Fool for Love which played Off-Broadway for 2 years. His lighting has been seen throughout the US, as well as internationally with productions in Tokyo, Singapore, and Shanghai. His designs have received 22 Bay Area Critics Circle Awards. kurtlandisman.com

JAMES ARD, Sound Design

JAMES ARD (Sound Design) is a noisemaker specializing in new works, live experiences, and immersive stage productions. Ard’s recent designs at TheatreWorks Silicon Valley include Miss Bennet, Queen, and Mrs. Christie. Recent work outside TWSV includes collaborations with Under the Radar at The Public Theater, American Conservatory Theater, San Francisco Playhouse, Summerhall at the Edinburgh Fringe, Sibiu International Theatre Festival, Woolly Mammoth Theatre Company, Guthrie Theater, American Repertory Theater, Oregon Shakespeare Festival, Portland Center Stage, Center Repertory Company, Ensemble Theatre Company, Cutting Ball Theater, Crowded Fire Theater, Joe Goode Performance Group, Stanford University, UC Berkeley, and Atlantic Theater Company.  

 

DAVID LEE CUTHBERT, Projections Design

DAVID LEE CUTHBERT (Projections Design)  designed scenery and media for TheatreWorks’ Mark Twain's River of Song, The 39 Steps (2019), and Frost/Nixon, media for Calligraphy, lighting for Third, and lighting/media for Wild With Happy. He lit Billy Crystal’s 700 Sundays on Broadway and its US, Canadian, and Australian tours, and the HBO film. Off-Broadway, his lighting and projections for The Snow Queen won best overall design at 2014’s New York Musical Theatre Festival. His scenic and lighting design for The History (and Mystery) of the Universe has been seen at theatres nationwide. He was a regular collaborator at San Jose Rep, Opera San José, and served as Theater Department Chair and Professor of Design at UC Santa Cruz.

TASI ALABASTRO, Projections Content Creation

TASI ALABASTRO, he/him (Projections Content Creator) is a multi-hyphenated artist, SVCreates Emerging Artist Laureate, and recipient of the Leigh Weimers Emerging Artist Award. Selected acting credits include The Play That Goes Wrong and Twelfth Night (San Francisco Playhouse), A Christmas Carol (American Conservatory Theatre), Manahatta (Aurora Theatre Company), Every Brilliant Thing, Vietgone, and Stupid F*cking Bird (City Lights Theater Company), and Sisters Matsumoto (Center REPertory Company). Directing credits include the inaugural AAPI Playwright Festival at Contemporary Asian Theater Scene (CATS) and assistant director of Clyde’s at City Lights Theater Company. He is a senior company member of the Red Ladder Theatre Company, a nationally acclaimed, award-winning social justice theatre company. tasialabastro.com | @tasialabastro

HEATHER STERLING, Wig Design

HEATHER STERLING (Wig Design) has been designing wigs and makeup for theatrical productions for over 20 years. Designs include Tiger Style!, In Every Generation, and Nan and the Lower Body with TheatreWorks; The Marriage of Figaro, Pagliacci and Zorro for Opera Santa Barbara; Triumph of Love,  Cosi Fan Tutti, and Proving Up,  for San Francisco Conservatory of Music; and Fragments 3, 5 and 6 for Alisa Weilerstein’s Fragments. She is also a theatrical makeup educator at SFCM.

JUDITH NIHEI, Artist Counselor

JUDITH NIHEI (Artist Counselor) is a San Francisco-based licensed psychotherapist in private practice.  She consults for schools, nonprofits and community-based organizations, facilitating the incorporation of stress-reduction and cultural humility as an integral part of trauma-informed services. Clients have included Edgewood Center for Children and Families, Japanese Community Youth Council, and Theatre Communications Group, Inc.  As a director, dramaturg, writer, actor, and administrator, she worked with Asian American theatre companies in Los Angeles, San Francisco and Seattle, as well as The Seattle Rep, Cornish College of the Arts, Hillbarn Theatre and BRAVA.  She began her career in improv with The Committee and currently performs as one of The Bad Aunties.

AMANDA PULCINI, Intimacy Coordinator

AMANDA PULCINI (Intimacy Coordinator) previously worked on TheatreWorks productions of Miss Bennet, Being Alive, Queen, and Mrs. Christie. Her intimacy coordination in film/TV include Wilder Than Her, Here She Comes, Places of Worship, Gary Screams for You, and Chaaya. Her intimacy direction in live performance include The Speakeasy: Age of Scofflaws, Cabaret, Heathers, Eurydice—to name a few. Amanda loves to bring workshops on intimacy and consent-forward practices to institutions across the country, encouraging creative and respectful workplaces within the industry. She holds an MFA from DePaul University. certified Intimacy Coordinator and certified Intimacy Director through Intimacy Directors and Coordinators.  AmandaPulcini.com

STEPHEN MUTERSPAUGH, Fight Coordinator

STEPHEN MUTERSPAUGH (Fight Coordinator) was Fight Coordinator for TheatreWorks’ The Language Archive and Tiger Style!, and appeared onstage in TW’s Frost/Nixon, Cyrano, and The Country House. Previously, Stephen was part of the Artistic Staff at TheatreWorks, serving as the Artistic Operations Manager/Digital Content Director. Stephen now serves as the Executive Artistic Director at Hillbarn Theatre.   

JULIE MCCORMIC, Dramaturg

JULIE MCCORMICK (Dramaturg) is an arts administrator, dramaturg, and fundraiser who supports new theatrical works and the people who make them. As a dramaturg, Julie (she/her) has helped develop new work at Berkeley Repertory Theatre, Crowded Fire Theater, Bay Area Playwrights Festival, Bay Area Children’s Theatre, Just Theater New Play Lab, Magic Theatre, and more. Julie is the Leader of Finance and Fundraising on Crowded Fire’s Shared Leadership Team, where she has been a Resident Artist since 2016. She holds a B.A. from Carleton College. 

RANDALL K. LUM, Stage Manager

RANDALL K. LUM (Stage Manager) is a resident stage manager for TheatreWorks, where he worked on productions of King James, Being Alive, Queen, How I Learned What I Learned, Steel Magnolias, In Every Generation, Nan and the Lower Body, They Promised Her The Moon, Pride and Prejudice, The 39 Steps, Archduke, Fun Home, Hold These Truths, Finks, Skeleton Crew, Around the World in 80 Days, and The Prince of Egypt, among others. Other credits include the Oregon and San Francisco Shakespeare Festivals, Laguna Playhouse, Pasadena Playhouse, Denver Center Theatre Co., La Jolla Playhouse, Center Theatre Group, The Old Globe, American Conservatory Theater, California Shakespeare Theater, Berkeley Rep, Center Rep, Seattle Rep, and South Coast Rep.

LISA DE LEEUW, Assistant Stage Manager

LISA DE LEEUW (Assistant Stage Manager) has a BFA in Theatre Arts Education from University of Arizona. Lisa has worked at many different Bay Area theatre companies including Opera San Jose', San Jose Rep, TheatreWorks Silicon Valley, Marin Theatre Company, Silicon Valley Shakespeare, and Bus Barn Stage Company.

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Lucie Stern, Palo Alto

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Tue–Sun : 12pm–6pm